Week 4 of 6
Team
Project partner: FibreLab
Luis Winkelbrandt
Shuairuge Shu
Molly Wensley
Mohammed Maheen
Vanashree Chowdhury
Niki Marathia
Merrin O'Connor
Jaime Santos Guerrero
Yihan Zhong
Shuairuge Shu
Molly Wensley
Mohammed Maheen
Vanashree Chowdhury
Niki Marathia
Merrin O'Connor
Jaime Santos Guerrero
Yihan Zhong
Towel swap
Applying the same visual analysis to the towel swap as we did to our clothes swap, we found that some of us felt the owner's presence when the towel was in our space. I think this contributed to why only three of us used the towels on our skin. We also found that patterns made us more inclined to use them. I felt this had potential for stained towels, perhaps through dyeing techniques that create patterns rather than masking the stain entirely.
Click to expand
Figure 1. Towel swap visual diary: Niki
Figure 2. Towel swap visual diary: Vana
Figure 3. Towel swap visual diary: Lynn
Figure 4. Towel swap visual diary: Jaime
Figure 5. Towel swap visual diary: Nicole
Figure 6. Towel swap visual diary: Luis
Figure 7. Towel swap visual diary: Merrin
Figure 8. Towel swap visual diary: Molly
Having accumulated a lot of research, we decided to project our brief on the wall and go through it again like we had during week 1. This helped us return to the concept of material histories, this time through the lens of hospitality, and nudged us to explore the stories of stained towels.
These are professionally cleaned textiles from the hospitality industry that we got from a textile reycling startup here in London.
The task
Using the textiles in front of you, try and gain an understanding of the textures, the smell, the quality, anything you notice about the textile.
Thank you all for joining us today in this celebration of life for Towely.
Towely was woven together in 2021. He was a beautiful, bright towel when he first made his way across the ocean to London, where he arrived at the Soho House hotel. He was so excited to fulfill his duty. He could not believe that he had been chosen to serve in such a respected institution that many people could only dream of going.
Towely was one of the hardest-working towels in the industry, working 24/7, except for his daily break in the rinse cycle. He is a pretty nosy towel, which made this job perfect for him. He loved witnessing couples fighting behind closed doors, overhearing secret affairs, and silently judging guests who used 4 towels in one night.
At work, Towely dried off hundreds of people over the years. From business travellers to hungover club-goers, Towely was always there, reliable and absorbent. But Towely was more than just a towel. He was a great listener. While he was not much of a talker, he was always a textile to cry on.
Sadly, years in the hospitality industry took a toll on him. The endless washing cycles, chlorine exposure, and makeup stains that never came out make him feel used, not loved. In Towely’s final months, those textiles closest to him noticed the signs: frayed edges, bruises (stains), and he became much thinner. He wasn’t as soft as he used to be.
Towely passed peacefully after being declared “too scratchy” by hotel management and was last seen heading toward the textile disposal bin, never to dry another guest again. He is survived by his partner bath Matt, and his daughter, a 6th month old hand towel, Dryannel.
May he rest in peace 🕊️
Feedback
We want to find out more about the personality traces discarded towels from hotels can have. We are interested in finding more about the contrasts between an object being part of a temporary space like a hotel room and permanent spaces like a home.
One person holds the towel and answers questions on its behalf. The other interviews. Where have you been? Who has touched you? What do you want? After three minutes they swap towels and roles.
Figure 12. Respond as the towel 1/3
Figure 13. Respond as the towel 2/3
Figure 14. Respond as the towel 2/3
Sources
Kopytoff, I. (1986) ‘The cultural biography of things: commoditization as process’, in Appadurai, A. (ed.) The Social Life of Things: Commodities in Cultural Perspective, pp. 64–91. Cambridge University Press.